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Alfredus Hitchcock

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Wikidata-logo.svg Alfredus Hitchcock
Res apud Vicidata repertae:
Alfredus Hitchcock: imago
Nativitas: 13 Augusti 1899; Leytonstone
Obitus: 29 Aprilis 1980; Bel Air
Patria: Britanniarum Regnum, Civitates Foederatae Americae, Britanniarum Regnum
Nomen nativum: Alfred Joseph Hitchcock


Munus: Dispositor cinematographicus, scriptor scaenicus, film producer, film editor, Procurator televisificus, actor cinematographicus, television director, cinematographer, director


Religio: Catholicismus


Coniunx: Alma Reville
Proles: Pat Hitchcock


Laurae: AFI Life Achievement Award, Knight of the Legion of Honour, Knight Commander of the Order of the British Empire, Academy Fellowship Award, Edgar Awards, Officier des Arts et des Lettres‎, Golden Globe Award, Silver Shell for Best Director, Saturn Award, Golden Globe Cecil B. DeMille Award, Irving G. Thalberg Memorial Award, star on Hollywood Walk of Fame

Alfredus Iosephus Hitchcock Eques, KBE, vulgo Alfred Joseph Hitchcock (natus in vico Leytonstone in suburbana Londinii regione die 13 Augusti 1899; mortuus Angelopoli die 29 Aprilis 1980[1]) fuit Anglicus[2] pellicularum dispositor et factor ac scriptor scaenicus.[3] Qui unus ex auctoritate gravissimis latissimeque investigatis factoribus pellicularum in historia cinematographica manet.[4] Praecucurrit tot artificia generum dubitationis commotionisque psychologicae ut Magister Dubitationis appellabatur. Plus quam quinquaginta maiores pelliculas disposuit.[5] Post felicem in cinemate Britannico in pelliculis mutis sonorisque cursum, in Ruscisilvam Californiae anno 1939 migravit.

Pelliculographia[recensere | fontem recensere]

Histriones saepe conducti[recensere | fontem recensere]

7 pelliculae[recensere | fontem recensere]

  • Clara Greet: Number 13 (1922), The Ring (1927), The Manxman (1929), Murder! (1930), The Man Who Knew Too Much (1934), Sabotage (1936), Jamaica Inn (1939)

6 pelliculae[recensere | fontem recensere]

  • Leo G. Carroll: Rebecca (1940), Suspicion (1941), Spellbound (1945), The Paradine Case (1947), Strangers on a Train (1951), North By Northwest (1959)

4 pelliculae[recensere | fontem recensere]

  • Carius Grant: Suspicion (1941), Notorious (1946), To Catch a Thief (1955), North By Northwest (1959)
  • Edmundus Gwenn: The Skin Game (1931), Waltzes from Vienna (1934), Foreign Correspondent (1940), The Trouble with Harry (1955)
  • Phyllis Konstam: Champagne (1928), Blackmail (1929), Murder! (1930), The Skin Game (1931)
  • Iacobus Stewart: Rope (1948), Rear Window (1954), The Man Who Knew Too Much (1956), Vertigo (1958)

3 pelliculae[recensere | fontem recensere]

  • Ingrid Bergman: Spellbound (1945), Notorious (1946), and Under Capricorn (1949)
  • Carolus Halton: Foreign Correspondent (1940), Mr. & Mrs. Smith (1941), Saboteur (1942)
  • Patricia Hitchcock: Stage Fright (1950), Strangers on a Train (1951), Psycho (1960)
  • Gratia Kelly: Dial M for Murder (1954), Rear Window (1954), To Catch a Thief (1955)
  • Basil Radford: Young and Innocent (1937), The Lady Vanishes (1938), Jamaica Inn (1939)
  • Ioannes Williams: The Paradine Case (1947), Dial M for Murder, (1954), To Catch a Thief (1955)

2 pelliculae[recensere | fontem recensere]

Collaboratores frequentes[recensere | fontem recensere]

Qui cum Hitchcock in tribus vel pluribus pelliculis collaboraverunt:

Actores et actrices
Scriptores cinematici
Opifices cinematici

Notae[recensere | fontem recensere]

  1. Mogg, Ken. "Alfred Hitchcock". Senses of Cinema. .
  2. Sic se descripsit in colloquio interrogatorio.
  3. "Obituary". Variety. Variety. 7 Maii 1980 .
  4. "Alfred Hitchcock Collectors' Guide: The British Years in Print". Brenton Film. 13 Augusti 2019 
  5. Secundum Gene Adair, Hitchcock quinquaginta tris maiores pellculas fecit (2002: 9); dixit autem Roger Ebert numerum rectum esse quinquaginta quattuor (Ebert 1980).

Bibliographia[recensere | fontem recensere]

Alfredus Hitchcock (anno 1956)

Fontes principales[recensere | fontem recensere]

  • Leff, Leonard J. 1999. The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood. University of California Press.
  • Leitch, Thomas. 2002. The Encyclopedia of Alfred Hitchcock. Checkmark Books. ISBN 978-0-8160-4387-3.
  • McGilligan, Patrick. 2003. Alfred Hitchcock: A Life in Darkness and Light. Regan Books.

Fontes minores[recensere | fontem recensere]

  • Auiler, Dan. 1999. Hitchcock's notebooks: an authorised and illustrated look inside the creative mind of Alfred Hitchcock. Novi Eboraci: Avon Books.
  • Barr, Charles. 1999. English Hitchcock. Cameron & Hollis.
  • Conrad, Peter. 2000. The Hitchcock Murders. Faber and Faber.
  • DeRosa, Steven. 2001. Writing with Hitchcock. Faber and Faber
  • Deutelbaum, Marshall, et Leland Poague, eds. 1986. A Hitchcock Reader. Iowa State University Press.
  • Durgnat, Raymond. 1974. The strange case of Alfred Hitchcock. Cantabrigiae, Massachusettae: MIT Press OCLC 1233570.
  • Durgnat, Raymond, Nick James, et Larry Gross. 1999. Hitchcock. Londinii: British Film Institute. OCLC 42209162.
  • Durgnat, Raymond. 2002. A long hard look at Psycho. Londinii: British Film Institute. OCLC 48883020.
  • Ebert, Roger. 1980. "The Master of Suspense is Dead." Chicago Sun-Times, 1 Maii 1980. Editio prima. Archivum, 26 Decembris 2017.
  • Giblin, Gary. 2006. Alfred Hitchcock's London. Midnight Marquee Press. ISBN 978-1-887664-67-7/
  • Gottlieb, Sidney. 1995. Hitchcock on Hitchcock. Faber and Faber.
  • Gottlieb, Sidney. 2003. Alfred Hitchcock: Interviews. University Press of Mississippi.
  • Grams, Martin, Jr. et Patrik Wikstrom. 2001. The Alfred Hitchcock Presents Companion. OTR Pub. ISBN 978-0-9703310-1-4.
  • Haeffner, Nicholas. 2005. Alfred Hitchcock. Longman.
  • Hitchcock, Patricia, et Laurent Bouzereau. 2003. Alma Hitchcock: The Woman Behind the Man. Berkleiae.
  • Krohn, Bill. 2000. Hitchcock at Work. Phaidon.
  • Leff, Leonard J. 1987. Hitchcock and Selznick. Weidenfeld & Nicolson.
  • McDevitt, Jim, et Eric San Juan. 2009. A Year of Hitchcock: 52 Weeks with the Master of Suspense. Scarecrow Press. ISBN 978-0-8108-6388-0.
  • Modleski, Tania. 2005. The Women Who Knew Too Much: Hitchcock And Feminist Theory. Ed. 2a. Routledge.
  • Mogg, Ken. 1999, 2008. The Alfred Hitchcock Story. Ed. retractata.Titan
  • Moral, Tony Lee. 2005. Hitchcock and the Making of Marnie. Ed. 2a. Scarecrow Press.
  • Paglia, Camille. 2008. The Birds. British Film Institute. ISBN 978-0-85170-651-1.
  • Rebello, Stephen. 1990. Alfred Hitchcock and the Making of Psycho. St. Martin's.
  • Rohmer, Eric, et Claude Chabrol. 1979. Hitchcock, the first forty-four films. F. Ungar. ISBN 978-0-8044-2743-2.
  • Rothman, William. 1980. The Murderous Gaze. Cantabrigiae, Massachusettae: Harvard University Press.
  • Spoto, Donald. 1992. The Art of Alfred Hitchcock. Anchor Books.
  • Spoto, Donald. 1983. The Dark Side of Genius. Ballantine Books.
  • Taylor, Alan. 2007. Jacobean Visions: Webster, Hitchcock and the Google Culture. Peter Lang.
  • Truffaut, François. 1985. Hitchcock. Simon and Schuster.
  • Vest, James. 2003. Hitchcock and France: The Forging of an Auteur. Praeger Publishers.
  • Weibel, Adrian. 2008. Spannung bei Hitchcock: Zur Funktionsweise der auktorialen Suspense. Würzburg: Königshausen & Neumann. ISBN 978-3-8260-3681-1.
  • Wikstrom, Patrik, et Martin Grams, Jr. 2001. The Alfred Hitchcock Presents Companion. OTR Pub. ISBN 978-0-9703310-1-4.
  • Wood, Robin. 2002. Hitchcock's Films Revisited. Ed. 2a. Columbia University Press.
  • Youngkin, Stephen D. 2005. The Lost One: A Life of Peter Lorre. University Press of Kentucky. ISBN 978-0-8131-2360-8.

Nexus externi[recensere | fontem recensere]

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