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Realismus (artes)

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Bonjour, Monsieur Courbet ('Ave, Domine Courbet'). Pictura realistica a Gustavo Courbet facta, 1854.
Singula realistica vel fallaci in speculo convexo in Imagine Arnolfinorum Ioannis de Eyck, 1434.

Realismus in artibus est conatus ad repraesentandas res veraciter, sine elementis facticiis et consuetudines artisticas et elementa exotica, supernaturalia, non verisimilia vitans. Realismus in artibus multis temporibus obtinuit, et plerumque exercitationes technicasque rationes comprehendit, modos statos evitans. In artibus oculorum, realismus fallax est accurata formarum vitae, scaenographiae, singulorumque lucis et coloris depictio. Realistica artis opera res deformes vel sordidas exprimere possunt, sicut opera realismi socialis, regionalismi, et realismi kitchen sink.

Fuerunt in artibus varii realismi motus, sicut verismus (genus operae), realismus litterarius, realismus theatricus, et cinema neorealistum Italicum. Motus artis realismi in pictura in Francia] decennio sub Rebus Novis anni 1848 ortus est.[1] Pictores realistici romanticismum spreverunt, motum qui in litteris et arte Francicis ex saeculo duodevicensimo exeunte dominabatur.

Imagines Francicae[recensere | fontem recensere]

Imagines aliae[recensere | fontem recensere]

Nexus interni

Notae[recensere | fontem recensere]

  1. "Metropolitan Museum of Art". Metmuseum.org. 2 Iunii 2014 .
  2. Chardin fuit praecursor motus realistici in pictura Francica: "Without realizing he was doing it, he rejected his own time and opened the door to modernity" (Rosenberg, citatus in Karen Wilkin, "The Splendid Chardin, New Criterion.

Bibliographia[recensere | fontem recensere]

  • Baron, Christine, et Manfred Engel, eds. 2010. Realism/Anti-Realism in 20th-Century Literature. Rodopi. ISBN 9789042031159.
  • Blunt Anthony. 1940, 1985. Artistic Theory in Italy, 1450-1600. Oxoniae: Oxford University Press. ISBN 0198810504.
  • Dahlhaus, Carl. 1985. Realism in Nineteenth-Century Music. Conv. Mary Whittall. Cantabrigiae et Londinii, Novi Eboraci, New Rochelle, Melburni, Sydneiae: Cambridge University Press. ISBN 9780521261159, ISBN 9780521278416.
  • Dahlhaus, Carl. 1989. Nineteenth-Century Music. Conv. J. Bradford Robinson. Berkeleiae, Angelopoliti, Londinii: University of California Press. ISBN 9780520076440.
  • Frisch, Walter. 2005. German Modernism: Music and the Arts. Berkeleiae, Angelopoloti, Londinii: University of California Press. ISBN 9780520251489.
  • Morris, Pam. 2003. Realism. Londinii: Routledge. ISBN 0415229383.
  • Needham, Gerald. Naturalism. Grove Art Online. Oxford University Press.
  • Raben, Hans. 2006. Bellori's Art: The Taste and Distaste of a Seventeenth-Century Art Critic in Rome. Simiolus: Netherlands Quarterly for the History of Art 32(2/3):126–146, Stichting voor Nederlandse Kunsthistorische Publicaties. JSTOR.
  • Watt, Ian. 1957. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. Berkeleiae: University of California Press.
  • West, Shearer. 1996. The Bullfinch Guide to Art. Bloomsbury Publishing Plc. ISBN 082122137X.

Nexus externi[recensere | fontem recensere]

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