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Textura in musica est modus quo res melodicae, rhythmicae, et harmonicae in compositione coniunguntur, totum rei sonum constituens. Ea saepe describitur quod attinet ad densitatem (vel crassitudinem) et coniectum, spatium inter summos infimosque tonos (Benward & Saker 2003). Exempli gratia, textura crassa nonnulla continere potest strata instrumentorum, alio strato fortasse chordarum, alio orichalcorum parte, textura satis levis, nimis stratis carens. Crassitudo, a numero et ubertate instrumentorum quae re canunt adfecta, inter naturas leves et crassas variatur. Moveri praeterea potest rei textura a numero ingenioque vocum quae una canunt, colore instrumentorum vel voces quae his partibus canunt, et harmoniis, temporibus, ac rhythmis qui adhibentur.

Digeri possunt genera texturae numero et coniunctionibus partium, per nomina primariorum texturae elementorum descripta: melodia primaria (MP), melodia secundaria (MS), parallela melodia sustinens (PMS), sustentaculum staticum (SS), sustentaculum harmonicum (SH), sustentaculum rhythmicum (SR), ac sustentaculum harmonicum et rhythmicum (SHR) (Benward & Saker 2009).

Simultaneitas fit cum plures totius texturae musicae simul fiant, contra nonnullas texturas ex ordine factas.

Recentius texturae genus, primum a Georgio Ligeti adhibitum, est micropolyphonia. Inter alias magni momenti texturas musicas sunt texturae polythematicae, polyrhythmicae, onomatopoeicae, compositae, et mixtae (Corozine 2002: 34).

Nexus interni

Fontes

Benward, Bruce, et Marilyn Saker. 2009. Music: In Theory and Practice. Ed. 8a. Bostoniae: McGraw-Hill. ISBN 978-0-07-294262-0.
Copland, Aaron. What to Listen for in Music. Novi Eboraci: Signet Classic, impressio New American Library, divisionis Penguin Group.
Corozine, Vince. 2002. Arranging Music for the Real World: Classical and Commercial Aspects. Pacifici Missouriae: Mel Bay. ISBN 0-7866-4961-5. OCLC 50470629.
Frobenius, Wolf. Polyphony. In Grove Music Online, ed. L. Macy. Situs venalis.
Hanning, Barbara Russano. 1998. Concise History of Western Music. In A History of Western Music a Donald Jay Grout et Claude V. Palisca conditus. Ed. 5a. Novi Eboraci: W. W. Norton & Company. ISBN 0-393-97168-6.
Hyer, Brian. Homophony. In Grove Music Online, ed. L. Macy. Situs venalis.
Kliewer, Vernon. 1975. Melody: Linear Aspects of Twentieth-Century Music. In Aspects of Twentieth-Century Music, ed. Gary Wittlich, 270-301. Englewood Cliffs Novae Caesareae: Prentice-Hall. ISBN 0-13-049346-5.
"Monophony", Grove Music Online. L. Macy, ed. Situs venalis.

Nexus externi

"A Guide to Musical Texture," www.uwosh.edu

Emendatio ex 12:28, 25 Maii 2017 recensere IacobusAmor (disputatio \| conlationes) 105 490 edits m totae→totius &c. ← Differentia superior		Emendatio ex 15:39, 12 Iulii 2017 recensere abrogare Amahoney (disputatio \| conlationes) Magistratus 10 339 edits m correct link to non-existent image (it's in :en but not in commons) Differentia proxima →
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	[[Fasciculus:~~Sousa - "~~Washington ~~Post March," m. 1-7~~.png\|thumb\|300px\|Introductio [[Ioannes Philippus Sousa\|Ioannis Philippi Sousae]] "[[The Washington Post (iter)\|Washington Post March]]," mm. 1-7{{audio\|Sousa - "Washington Post March," m. 1-7.mid\|Play}} [[duplicatio octavorum\|duplicationem octavorum]] (Benward & Saker 2009) et texturam homorhythmicam vehementius sicit.]]		[[Fasciculus:Washington Post1.png\|thumb\|300px\|Introductio [[Ioannes Philippus Sousa\|Ioannis Philippi Sousae]] "[[The Washington Post (iter)\|Washington Post March]]," mm. 1-7{{audio\|Sousa - "Washington Post March," m. 1-7.mid\|Play}} [[duplicatio octavorum\|duplicationem octavorum]] (Benward & Saker 2009) et texturam homorhythmicam vehementius sicit.]]

	'''Textura''' in [[musica]] est modus quo res<!--materials--> [[melodia\|melodicae]], [[rhythmus\|rhythmicae]], et [[harmonia\|harmonicae]] in [[compositio musica\|compositione]] coniunguntur, totum rei [[sonus\|sonum]] constituens. Ea saepe describitur quod attinet ad densitatem (vel crassitudinem) et [[coniectus (musica)\|coniectum]]<!--range-->, [[spatium]] inter summos infimosque [[tonus\|tonos]]<!-- ,in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices--> <!--(vide [[#Genera texturarum\|genera texturarum]] infra)--> (Benward & Saker 2003). Exempli gratia, textura crassa nonnulla continere potest strata [[instrumentum musicum\|instrumentorum]], alio strato fortasse [[pars chordarum\|chordarum]]<!--string section-->, alio [[pars orichalcorum\|orichalcorum]] parte, textura satis levis, nimis stratis carens. Crassitudo, a [[numerus\|numero]] et ubertate<!--richness--> instrumentorum quae re canunt adfecta, inter naturas leves et crassas variatur. Moveri praeterea potest rei textura a numero ingenioque [[vox (musica)\|vocum]] quae una canunt, [[color (musica)\|colore]]<!--timbre--> instrumentorum vel [[vox\|voces]] quae his partibus canunt, et [[harmonia\|harmoniis]], [[tempus (musica)\|temporibus]], ac [[rhythmus\|rhythmis]] qui adhibentur.		'''Textura''' in [[musica]] est modus quo res<!--materials--> [[melodia\|melodicae]], [[rhythmus\|rhythmicae]], et [[harmonia\|harmonicae]] in [[compositio musica\|compositione]] coniunguntur, totum rei [[sonus\|sonum]] constituens. Ea saepe describitur quod attinet ad densitatem (vel crassitudinem) et [[coniectus (musica)\|coniectum]]<!--range-->, [[spatium]] inter summos infimosque [[tonus\|tonos]]<!-- ,in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices--> <!--(vide [[#Genera texturarum\|genera texturarum]] infra)--> (Benward & Saker 2003). Exempli gratia, textura crassa nonnulla continere potest strata [[instrumentum musicum\|instrumentorum]], alio strato fortasse [[pars chordarum\|chordarum]]<!--string section-->, alio [[pars orichalcorum\|orichalcorum]] parte, textura satis levis, nimis stratis carens. Crassitudo, a [[numerus\|numero]] et ubertate<!--richness--> instrumentorum quae re canunt adfecta, inter naturas leves et crassas variatur. Moveri praeterea potest rei textura a numero ingenioque [[vox (musica)\|vocum]] quae una canunt, [[color (musica)\|colore]]<!--timbre--> instrumentorum vel [[vox\|voces]] quae his partibus canunt, et [[harmonia\|harmoniis]], [[tempus (musica)\|temporibus]], ac [[rhythmus\|rhythmis]] qui adhibentur.