Henricus Cowell

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Cowell iuvenis.

Henricus Cowell (11 Martii 189710 Decembris 1965) fuit compositor, theorista musicae, clavilista, magister, publicator, et impresario Americanus. Eius donum historiae musicae a Vergilio Thomson, annis 1950 ineuntibus scribente, summatim describitur:

Musica Henrici Cowell latiorem iactum expressionis et artis rationis habet quam musica ullius compositoris vivi alius. Eius experimenta, abhinc decenniorum tria rhythmo, harmonia, et sonis instrumentorum coepta, a multis tum fera habebantur. Quae hodie sunt Biblia iuvenum et nihilominus, conservativis, "provecta." . . . Nemo alius nostri temporis compositor corpus protulit operum tam extremum et tam normativum, tam acutum et tam amplum. Huic operi solido eius cursu diuturno et auctoritate gravi ut paedagogus addito, confectio quidem Henrici Cowell gravissima videtur. Nihil eius simile est omnino. Ambos fecundum et rectum esse paucis donatur.[1][2][3]

Nexus interni

Notae[recensere | fontem recensere]

  1. Anglice: "Henry Cowell's music covers a wider range in both expression and technique than that of any other living composer. His experiments begun three decades ago in rhythm, in harmony, and in instrumental sonorities were considered then by many to be wild. Today they are the Bible of the young and still, to the conservatives, "advanced." . . . No other composer of our time has produced a body of works so radical and so normal, so penetrating and so comprehensive. Add to this massive production his long and influential career as a pedagogue, and Henry Cowell's achievement becomes impressive indeed. There is no other quite like it. To be both fecund and right is given to few."
  2. Thomson (2002), p. 167.
  3. Recentissima scriptorum Vergilii Thomson congeries normativa, a Ricardo Kostelanetz edita et anno 2002 prolata, hanc affirmationem sine tempore agnoscit. Affirmatio affertur in notis disci Henry Cowell: Piano Music (Smithsonian Folkways CD, 1993), ubi verba anno 1953 attribuuntur, sine fonte. Quia (a) multa tempora rerum clavilistarum Cowellianarum in notis Folkways falsa sunt (vide Hicks [2002]:80) et (b) Thomson "experimenta abhinc decenniorum tria coepta" dicit, tempus ante 1953 verisimile est.

Bibliographia[recensere | fontem recensere]

  • Bartok, Peter, Moses Asch, Marian Distler, et Sidney Cowell. Notae Henry Cowell: Piano Music (Smithsonian Folkways 40801). Retractatae a Sorrel Hays (1993 [1963])
  • Boziwick, George. 2000. Henry Cowell at the New York Public Library: A Whole World Of Music. Notes [Music Library Association], 57(1)
  • Bredow, Moritz von. 2012. Rebellische Pianistin. Das Leben der Grete Sultan zwischen Berlin und New York. Moguntiaci: Schott Music. ISBN 9783795708009.
  • Cage, John. 1959. History of Experimental Music in the United States. Silence (1971 [1961]):67–75. Middletown Connecticutae: Wesleyan University Press. ISBN 0819560286.
  • Cowell, Henry. 1963, 1993. "Henry Cowell's Comments: The composer describes each of the selections in the order in which they appear." Cursus 20 in Henry Cowell: Piano Music. Smithsonian Folkways 40801.
  • Gann, Kyle. 1995. The Music of Conlon Nancarrow. Cantabrigiae, Novi Eboraci, et Melburni: Cambridge University Press. ISBN 0521028078.
  • Harrison, Lou. 1997. Learning from Henry. In The Whole World of Music: A Henry Cowell Symposium, ed. Nicholls, 161–167.
  • Hicks, Michael. 2002. Henry Cowell, Bohemian. Urbanae: University of Illinois Press. ISBN 0252027515.
  • Kirkpatrick, John, et al. 1997 1988. 20th-Century American Masters: Ives, Thomson, Sessions, Cowell, Gershwin, Copland, Carter, Barber, Cage, Bernstein. Novi Eboraci et Londinii: W. W. Norton. ISBN 0393315886.
  • Lichtenwanger, William. 1986. The Music of Henry Cowell: A Descriptive Catalogue. Brooklynii: Brooklyn College Institute for Studies in American Music. ISBN 0914678264.
  • Mead,Rita H. 1981. Henry Cowell's New Music, 1925–1936. Ann Arbor Michiganiae: UMI Research Press. ISBN 0835711706.
  • Nicholls, David. 1991. American Experimental Music 1890–1940. Cantabrigiae, Novi Eboraci, et Mulburni: Cambridge University Press. ISBN 052142464X.
  • Nicholls, David, ed. 1997. The Whole World of Music: A Henry Cowell Symposium. Amstelodami: Harwood Academic Press. ISBN 9057550032.
  • Nicholls, David, ed. 1998. The Cambridge History of American Music. Cantabrigiae, novi Eboraci, et Melburni: Cambridge University Press. ISBN 0521454298.
  • Oja, Carol J. 1998. Notae. Henry Cowell: Mosaic. Mode 72/73.
  • Oja, Carol J. 2000. Making Music Modern: New York in the 1920s. Novi Eboraci: Oxford University Press. ISBN 0195058496.
  • Sollberger, Harvey. 1974, 1992. Notae. Percussion Music: Works by Varèse, Colgrass, Saperstein, Cowell, Wuorinen. Nonesuch 9 79150-2.
  • Sublette, Ned. 2004. Cuba and Its Music: From the First Drums to the Mambo. Sicagi: Chicago Review Press. ISBN 1556525168.
  • Thomson, Virgil. 2002. Virgil Thomson: A Reader—Selected Writings 1924–1984. Ed. Richard Kostelanetz. Novi Eboraci et Londinii: Routledge. ISBN 0415937957.

Bibliographia addita[recensere | fontem recensere]

  • Carwithen, Edward R. 1991. Henry Cowell: Composer and Educator. Dissertatio Ph.D., University of Florida.
  • Cowell, Henry, et Sidney Cowell. 1955], 1981. Charles Ives and His Music. Novi Eboraci: Da Capo. ISBN 0306761254.
  • Cowell, Henry.1930, 1996. New Musical Resources. Ed., cum commentario, a David Nicholls. Cantabrigiae, Novi Eboraci, et Melburni: Cambridge University Press. ISBN 0521499747.
  • Cowell, Henry. 2002. Essential Cowell: Selected Writings on Music, ed., cum introductione, Dick Higgins, praefatio Kyle Gann. Kingston Novi Eboraci: McPherson. ISBN 0929701631.
  • Galván, Gary. 2006. Cowell in Cartoon: A Pugilistic Pianist’s Impact on Pop Culture. Hawaii International Conference on Arts and Humanities, 11–14 Ianuarii 2006, Conference Proceedings. ISSN 15415899.
  • Galván, Gary. 2007. Henry Cowell in the Fleisher Collection. Dissertatio Ph.D., University of Florida.
  • Johnson, Steven. 1993. Henry Cowell, John Varian, and Halcyon. American Music 11(1):1-27.
  • Sachs, Joel. 2012. Henry Cowell: A Man Made of Music. Oxoniae: Oxford University Press. ISBN 9780195108958.
  • Saylor, Bruce. 1977. The Writings of Henry Cowell: A Descriptive Bibliography. Brooklinii: Brooklyn College Institute for Studies in American Music. ISBN 0914678078.
  • Spilker, John D. 2010. "Substituting a New Order": Dissonant Counterpoint, Henry Cowell, and the Network of Ultra-Modern Composers. Dissertatio Ph.D., Florida State University.

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