Gwendolyn B. Bennett

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Gwendolyn B. Bennett (8 Iulii 190230 Maii 1981) fuit scriptor Afroamericana quae poemata anthologiae Opportunity: A Journal of Negro Life contribuit, libro qui progressum culturae Harlem Novi Eboraci rettulit. Ipsa, saepe praetermissa, in poesi et prosa magnas res gestas fecit. "Wedding Day" fortasse innotuit, fabula breve quae in primo fasciculo Fire! typis impressa est.

Opera[recensere | fontem recensere]

Fabulae breves[recensere | fontem recensere]

  • 1926 – Wedding Day Fire!!
  • 1927 – Tokens Ebony & Topaz

Non fictio[recensere | fontem recensere]

  • 1926–1928 — "The Ebony Flute" (columna) Opportunity
  • 1924 — "The Future of the Negro in Art" Howard University Record (December)
  • 1925 — "Negros: Inherent Craftsmen" Howard University Record (Februarius)
  • 1928 — "The American Negro Paints" Southern Workman (Ianuarius)
  • 1934 — "I go to Camp" Opportunity (Augustus)
  • 1934 — "Never the Twain Must Meet" Opportunity (Martius)
  • 1935 — "Rounding the Century: Story of the Colored Orphan Asylum & Association for the Benefit of Colored Children in New York City" Crisis (Iunius)
  • 1937 — "The Harlem Artists Guild" Art Front (Maius)

Poemata[recensere | fontem recensere]

  • 1923 — "Heritage" Opportunity (Dececember)
  • 1923 — "Nocturne" Crisis (November)
  • 1924 — "To Usward" Crisis (Maius) et Opportunity (Maius)
  • 1924 — "Wind" Opportunity (November)
  • 1925 — "On a Birthday" Opportunity (September)
  • 1925 — "Pugation" Opportunity (Februarius)
  • 1926 — "Song" Palms (October)
  • 1926 — "Street Lamps in Early Spring" Opportunity (Maius)
  • 1926 — "Lines Written At the Grave of Alexandre Dumas" Opportunity (Iulius)
  • 1926 — "Moon Tonight" Gypsy (October)
  • 1926 — "Hatred" Opportunity (Iunius)
  • 1926 — "Dear Things" Palms (October)
  • 1926 — "Dirge" Palms (Octobert)

Sua opera in multis anthologis illius temporis typis impressa sunt, inter quae fuerunt:

Bibliographia[recensere | fontem recensere]

  • [Aliquis]. 1996. Bennett, Gwendolyn Bennetta. Encyclopedia of African-American Culture and History. Novi Eboraci: Simon and Schuster.
  • Cullen, Countee. 1927. Caroling Dusk: An Anthology of Verse by Negro Poets. Novi Eboraci: Harper.
  • Chaney, Michael A. 2002. Traveling Harlem's Europe: Vagabondage from Slave Narratives to Gwendolyn Bennett's 'Wedding Day' and Claude McKay's 'Banjo.' Journal of Narrative Theory 32:(1):52–76.
  • Govan Sandra Y. 1988. After the Renaissance: Gwendolyn Bennett and the WPA yYars. MAWA-Review 3:2:27–31.
  • Govan, Sandra Y. 1995. Kindred Spirits and Sympathetic Souls: Langston Hughes and Gwendolyn Bennett in the Renaissance. In Langston Hughes: The Man, His Art, and His Continuing Influence, ed. C. James Trotman, 75–85. Novi Eboraci: Garland Publishing.
  • Govan, Sandra Y. 1997. A Blend of Voices: Composite Narrative Strategies in Biographical Reconstruction. In Recovered Writers / Recovered Texts, ed. Dolan Hubbard, 90–104. Knoxville Tennesiae: University of Tennessee Press.
  • Hine, Darlene Clark, ed. 1993. Black Women in America. Novi Eboraci: Carlson Pres.
  • Hoffman, Lenore. 1989. The Diaries of Gwendolyn Bennett. Women Studies Quarterly 17(3–4):6.
  • Johnson, Charles S., ed. 1927. Ebony and Topaz: A Collectanea. Novi Eboraci: Opportunity, National Urban League.
  • Jones, Gwendolyn S. 2000. Gwendolyn Bennett (1902–1981). African American Authors, [1745]-[1945]: A BioBibliographical Critical Sourcebook, ed. Emmanuel S. Nelson, 18–23. Westport Connecticutae: Greenwood Press.
  • Shockley, Ann Allen. 1989. Afro-American Women Writers 1746–1933: An Anthology and Critical Guide. Portu Novo Connecticutae Meridian Books. ISBN 0452009812.

Nexus externi[recensere | fontem recensere]