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'''Dada,''' sive '''Dadaismus,''' fuit [[motus artis]] [[avant-garde]] [[Europa]]ei [[saeculum 20|saeculo vicensimo ineunte]] mromotus. Multi postulant Dadam [[Turicum|Turici]] in [[Helvetia]] coepisse anno [[1916]], unde [[Berolinum|Berolini]] mox percrebuit, sed summa Dada [[Urbs Novum Eboracum|Novi Eboraci]] anno superiore fuit, anno [[1915]].<ref>Mario de Micheli, ''Las vanguardias artísticas del siglo XX'' (Alianza Forma, 2006), 135–137.</ref> Apud ''The Language of Art Knowledge'' Donae Budd legitur:
'''Dada,''' sive '''Dadaismus,''' fuit [[motus artis]] [[avant-garde]] [[Europa]]ei [[saeculum 20|saeculo vicensimo ineunte]] mromotus. Multi postulant Dadam [[Turicum|Turici]] in [[Helvetia]] coepisse anno [[1916]], unde [[Berolinum|Berolini]] mox percrebuit, sed summa Dada [[Urbs Novum Eboracum|Novi Eboraci]] anno superiore fuit, anno [[1915]].<ref>Mario de Micheli, ''Las vanguardias artísticas del siglo XX'' (Alianza Forma, 2006), 135–137.</ref> Apud ''The Language of Art Knowledge'' Donae Budd legitur:
<blockquote>Dada ex responso negante horroribus [[Bellum Orbis Terrarum I|Belli Orbis Terrarum]]<!--N.B. "World War One," non "the first world war" (bellum mundanum primum)--> natum est. Hic motus inter civitates a grege [[artifex|artificum]] et [[poeta]]rum cum [[Cabaret Voltaire (Turicum)|Cabaret Voltaire]] [[Turicum|Turici]] consociatorum coeptus est. Dada [[ratio]]nem et [[logica]]m negavit, nugas, irrationalitatem, et [[intuitus|intuitum]] magni aestimans. Origo nominis ''Dada'' non est manifesta; nonnulli credunt id esse [[vocabulum]] nugatorium. Alii tenent id ex ''da, da'' ('ita, ita' in [[lingua Dacoromanica|Dacoromanice]] significantium) oriri, [[vocabulum|verbo]] a [[Tristanus Tzara|Tristano Tzarae]] et [[Marcellus Janco|Marcello Janco]] [[artifex|artificibus]] [[Romania]]nis crebro adhibito. Alia coniectura adfirmat nomen ''Dada'' per congressionem gregis factus esse cum [[culter]] [[charta]]ceus in [[dictionarium]] Francicum-Theodiscum insertus ad ''dada,'' vocabulum [[Francice|Francicum]] pro ''[[harundo (ludus equinus)|harundine]]''<!--hobbyhorse--> casu indicaret.<ref>[[Anglice]]: "Dada was born out of negative reaction to the horrors of [[World War I]]. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zurich. Dada rejected reason and logic, prizing nonsense, irrationality and intuition. The origin of the name Dada is unclear; some believe that it is a nonsensical word. Others maintain that it originates from the Romanian artists Tristan Tzara's and Marcel Janco's frequent use of the words "da, da," meaning "yes, yes" in the Romanian language. Another theory says that the name "Dada" came during a meeting of the group when a paper knife stuck into a French-German dictionary happened to point to 'dada', a French word for 'hobbyhorse'.</ref><ref>Dona Budd, ''The Language of Art Knowledge'' (Pomegranate Communications, Inc.).</ref></blockquote> Motus praecipue se cum [[ars oculorum|artibus oculorum]], [[litterae|litteris]], [[poesis|poesi]], [[edictum artis|edictis artis]]<!--art manifestos-->, [[aesthetica|doctrinis artis]], [[theatrum|theatro]], et [[designatio graphica|designatione graphica]] implicavit, et eius animum civilem [[contra bellum]] intendit in obtinentibus [[ars|artis]] normis per opera culturalia [[contra artem]] reiectis. Dada, praeter [[bellum]] reprehensum, contra habitus ''[[bourgeois]]'' fuit, se in rebus [[civilitas|civilibus]] cum sinistro rerum novarum cupido<!--the radical left--> coniungens.
<blockquote>Dada ex responso negante horroribus [[Bellum Orbis Terrarum I|Belli Orbis Terrarum]]<!--N.B. "World War One," non "the first world war" (bellum mundanum primum)--> natum est. Hic motus inter civitates a grege [[artifex|artificum]] et [[poeta]]rum cum [[Cabaret Voltaire (Turicum)|Cabaret Voltaire]] [[Turicum|Turici]] consociatorum coeptus est. Dada [[ratio]]nem et [[logica]]m negavit, nugas, irrationalitatem, et [[intuitus|intuitum]] magni aestimans. Origo nominis ''Dada'' non est manifesta; nonnulli credunt id esse [[vocabulum]] nugatorium. Alii tenent id ex ''da, da'' ('ita, ita' in [[lingua Dacoromanica|Dacoromanice]] significantium) oriri, [[vocabulum|verbo]] a [[Tristanus Tzara|Tristano Tzarae]] et [[Marcellus Janco|Marcello Janco]] [[artifex|artificibus]] [[Romania]]nis crebro adhibito. Alia coniectura adfirmat nomen ''Dada'' per congressionem gregis factus esse cum [[culter]] [[charta]]ceus in [[dictionarium]] Francicum-Theodiscum insertus ad ''dada,'' vocabulum [[Francice|Francicum]] pro ''[[harundo (ludus equinus)|harundine]]''<!--hobbyhorse--> casu indicaret.<ref>[[Anglice]]: "Dada was born out of negative reaction to the horrors of [[World War I]]. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zurich. Dada rejected reason and logic, prizing nonsense, irrationality and intuition. The origin of the name Dada is unclear; some believe that it is a nonsensical word. Others maintain that it originates from the Romanian artists Tristan Tzara's and Marcel Janco's frequent use of the words "da, da," meaning "yes, yes" in the Romanian language. Another theory says that the name "Dada" came during a meeting of the group when a paper knife stuck into a French-German dictionary happened to point to 'dada', a French word for 'hobbyhorse'.</ref><ref>Dona Budd, ''The Language of Art Knowledge'' (Pomegranate Communications, Inc.).</ref></blockquote> Motus praecipue se cum [[ars oculorum|artibus oculorum]], [[litterae|litteris]], [[poesis|poesi]], [[edictum artis|edictis artis]]<!--art manifestos-->, [[aesthetica|doctrinis artis]], [[theatrum|theatro]], et [[designatio graphica|designatione graphica]] implicavit, et eius animum civilem [[contra bellum]] intendit in obtinentibus [[ars|artis]] normis per opera culturalia [[contra artem]] reiectis. Dada, praeter [[bellum]] reprehensum, contra habitus ''[[bourgeois]]'' fuit, se in rebus [[civilitas|civilibus]] cum sinistro rerum novarum cupido<!--the radical left--> coniungens.
===Novum Eboracum===
=== Novum Eboracum ===
Sicut Turicum, [[Urbs Novum Eboracum|Novum Eboracum]] pro refugio fuit [[scriptor]]um et [[artifex|artificum]] [[Bellum Orbis Terrarum I|bellum Europaeanum]] fugientium. [[Marcellus Duchamp]] et [[Franciscus Picabia]] non ita multo postquam a [[Francia]] advecti erant, in [[Man Ray]], artificem [[Civitates Foederatae|Americanum]] inciderunt. Ante [[1916]], hi tres centrum agitationum extremarum contra artem in [[Civitates Foederatae|Civitatibus Foederatis]] fuerunt. [[Beatrice Wood]], Americana quae in Francia rebus variis studuerat, se cum eis mox coniunxit; pariter [[Elsa von Freytag-Loringhoven]]. [[Arthurus Cravan]], [[conscriptio]]nem militarem in [[Francia]] fugens, ad tempus aderat. Multum eorum agitationis in 291, [[pinacotheca]] [[Alfredus Stieglitz|Alfredi Stieglitz]], et in [[domus|domu]] [[Gualterius Conradus Arensberg|Gualterii et Ludovicae Arensberg]] nisum est.
Sicut Turicum, [[Urbs Novum Eboracum|Novum Eboracum]] pro refugio fuit [[scriptor]]um et [[artifex|artificum]] [[Bellum Orbis Terrarum I|bellum Europaeanum]] fugientium. [[Marcellus Duchamp]] et [[Franciscus Picabia]] non ita multo postquam a [[Francia]] advecti erant, in [[Man Ray]], artificem [[Civitates Foederatae|Americanum]] inciderunt. Ante [[1916]], hi tres centrum agitationum extremarum contra artem in [[Civitates Foederatae|Civitatibus Foederatis]] fuerunt. [[Beatrice Wood]], Americana quae in Francia rebus variis studuerat, se cum eis mox coniunxit; pariter [[Elsa von Freytag-Loringhoven]]. [[Arthurus Cravan]], [[conscriptio]]nem militarem in [[Francia]] fugens, ad tempus aderat. Multum eorum agitationis in 291, [[pinacotheca]] [[Alfredus Stieglitz|Alfredi Stieglitz]], et in [[domus|domu]] [[Gualterius Conradus Arensberg|Gualterii et Ludovicae Arensberg]] nisum est.
==Poesis, musica, sonus==
== Poesis, musica, sonus ==
Dada magnum non solum apud [[ars|artes]] [[ars oculorum|oculorum]] et [[litterae|litterarum]] potuit, sed se in [[sonus|sonos]] et [[musica]]m extendit. [[Curtius Schwitters]] [[poema]]ta excogitavit quae [[poesis sonorum|poemata sonorum]] appellavit, cum [[Franciscus Picabia]] et [[Georgius Ribemont-Dessaignes]] musicam Dada componerent, quae in Festo Dada, [[Lutetia]]e die [[26 Maii]] [[1920]] habito, peracta est. [[Erwinus Schulhoff]], Ioannes Heusser, Albertus Savinio, aliisque [[compositor]]es musicam Dada appellatam fecerunt, cum [[Sexviri]]<!--Les Six--> notissimi, participibus motus Dada adiuvantibus, vicissim facerent ut sua opera in conventibus Dada peragerentur. Praeterea, [[Ericus Satie]] notiones Dada per suum curriculum leviter attigit, sed se cum [[impressionismus musicus|impressionismo musico]] praecipue consociavit.
Dada magnum non solum apud [[ars|artes]] [[ars oculorum|oculorum]] et [[litterae|litterarum]] potuit, sed se in [[sonus|sonos]] et [[musica]]m extendit. [[Curtius Schwitters]] [[poema]]ta excogitavit quae [[poesis sonorum|poemata sonorum]] appellavit, cum [[Franciscus Picabia]] et [[Georgius Ribemont-Dessaignes]] musicam Dada componerent, quae in Festo Dada, [[Lutetia]]e die [[26 Maii]] [[1920]] habito, peracta est. [[Erwinus Schulhoff]], Ioannes Heusser, Albertus Savinio, aliisque [[compositor]]es musicam Dada appellatam fecerunt, cum [[Sexviri]]<!--Les Six--> notissimi, participibus motus Dada adiuvantibus, vicissim facerent ut sua opera in conventibus Dada peragerentur. Praeterea, [[Ericus Satie]] notiones Dada per suum curriculum leviter attigit, sed se cum [[impressionismus musicus|impressionismo musico]] praecipue consociavit.


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*[[Bonzo Dog Doo-Dah Band]]
* [[Bonzo Dog Doo-Dah Band]]
*''[[Épater la bourgeoisie]]''
* ''[[Épater la bourgeoisie]]''
*[[Futurismus]]
* [[Futurismus]]
*[[Internationalis Situationista]]
* [[Internationalis Situationista]]
*[[Surrealismus]]
* [[Surrealismus]]
*[[Happening]]<!--
* [[Happening]]<!--
*[[The Central Council of Dada for the World Revolution]]
*[[The Central Council of Dada for the World Revolution]]
*[[Interventio artis]]-->
*[[Interventio artis]]-->


==Notae==
== Notae ==
<references />
<div class="references-small"><references/></div>


==Bibliographia==<!--
==Bibliographia==<!--
*''The Dada Almanac'', ed. Richard Huelsenbeck [1920], re-edited and translated by Malcolm Green et al., [[Atlas Press]], with texts by Hans Arp, Johannes Baader, Hugo Ball, Paul Citröen, Paul Dermée, Daimonides, Max Goth, John Heartfield, Raoul Hausmann, Richard Huelsenbeck, Vincente Huidobro, Mario D'Arezzo, Adon Lacroix, Walter Mehring, Francis Picabia, Georges Ribemont-Dessaignes, Alexander Sesqui, Philippe Soupault, Tristan Tzara. ISBN 0947757627.
*''The Dada Almanac'', ed. Richard Huelsenbeck [1920], re-edited and translated by Malcolm Green et al., [[Atlas Press]], with texts by Hans Arp, Johannes Baader, Hugo Ball, Paul Citröen, Paul Dermée, Daimonides, Max Goth, John Heartfield, Raoul Hausmann, Richard Huelsenbeck, Vincente Huidobro, Mario D'Arezzo, Adon Lacroix, Walter Mehring, Francis Picabia, Georges Ribemont-Dessaignes, Alexander Sesqui, Philippe Soupault, Tristan Tzara. ISBN 0-947757-62-7.
*''Blago Bung, Blago Bung'', Hugo Ball's Tenderenda, Richard Huelsenbeck's Fantastic Prayers, & Walter Serner's Last Loosening - three key texts of Zurich ur-Dada. Translated and introduced by Malcolm Green. [[Atlas Press]], ISBN 0947757864.-->
*''Blago Bung, Blago Bung'', Hugo Ball's Tenderenda, Richard Huelsenbeck's Fantastic Prayers, & Walter Serner's Last Loosening - three key texts of Zurich ur-Dada. Translated and introduced by Malcolm Green. [[Atlas Press]], ISBN 0-947757-86-4.-->


*''Archives Dada / Chronique.'' [[2005]]. Lutetiae: Hazan.
* ''Archives Dada / Chronique.'' [[2005]]. Lutetiae: Hazan.
*Ball, Hugo. [[1996]]. ''Flight Out Of Time.'' Berkeleiae et Angelopoli: University of California Press.
* Ball, Hugo. [[1996]]. ''Flight Out Of Time.'' Berkeleiae et Angelopoli: University of California Press.
*Jones, Dafydd. [[2014]]. ''Dada 1916 in Theory: Practices of Critical Resistance.'' Liverpool: Liverpool University Press. ISBN 9781781380208.
* Jones, Dafydd. [[2014]]. ''Dada 1916 in Theory: Practices of Critical Resistance.'' Liverpool: Liverpool University Press. ISBN 978-1-78138-020-8.
*Biro, M. [[2009]]. ''The Dada Cyborg: Visions of the New Human in Weimar Berlin.'' Minneapoli: University of Minnesota Press. ISBN 0816636206.
* Biro, M. [[2009]]. ''The Dada Cyborg: Visions of the New Human in Weimar Berlin.'' Minneapoli: University of Minnesota Press. ISBN 0-8166-3620-6.
*Dachy, Marc. [[1989]]. ''Journal du mouvement Dada 1915-1923.'' Genève: Albert Skira.<!--Grand Prix du Livre d'Art, 1990-->
* Dachy, Marc. [[1989]]. ''Journal du mouvement Dada 1915-1923.'' Genève: Albert Skira.<!--Grand Prix du Livre d'Art, 1990-->
*''Dada & les dadaïsmes.'' [[1994]]. Folio Essais, 257. Lutetiae: Gallimard.
* ''Dada & les dadaïsmes.'' [[1994]]. Folio Essais, 257. Lutetiae: Gallimard.
*Jovanov, Jasna. [[1999]]. ''Demistifikacija apokrifa: Dadaizam na jugoslovenskim prostorima.'' Novi Sad: Apostrof.
* Jovanov, Jasna. [[1999]]. ''Demistifikacija apokrifa: Dadaizam na jugoslovenskim prostorima.'' Novi Sad: Apostrof.
*''Dada, la révolte de l'art.'' [[2005]]. Lutetiae: Gallimard / Centre Pompidou, [[Découvertes Gallimard]] n° 476.
* ''Dada, la révolte de l'art.'' [[2005]]. Lutetiae: Gallimard / Centre Pompidou, [[Découvertes Gallimard]] n° 476.
*''Dada, catalogue d'exposition.'' [[2005]]. Centre Pompidou.
* ''Dada, catalogue d'exposition.'' [[2005]]. Centre Pompidou.
*Durozoi, Gérard. [[2005]]. ''Dada et les arts rebelles.'' Lutetiae: Hazan, Guide des Arts.
* Durozoi, Gérard. [[2005]]. ''Dada et les arts rebelles.'' Lutetiae: Hazan, Guide des Arts.
*Gammel, Irene. [[2002]]. ''Baroness Elsa: Gender, Dada and Everyday Modernity.'' Cantabrigiae Massachusettae: MIT Press.
* Gammel, Irene. [[2002]]. ''Baroness Elsa: Gender, Dada and Everyday Modernity.'' Cantabrigiae Massachusettae: MIT Press.
*Hoffman, Irene. [http://www.artic.edu/reynolds/essays/hofmann.php ''Documents of Dada and Surrealism: Dada and Surrealist Journals in the Mary Reynolds Collection.''] Ryerson and Burnham Libraries, The Art Institute of Chicago.
* Hoffman, Irene. [http://www.artic.edu/reynolds/essays/hofmann.php ''Documents of Dada and Surrealism: Dada and Surrealist Journals in the Mary Reynolds Collection.''] Ryerson and Burnham Libraries, The Art Institute of Chicago.
*Huelsenbeck, Richard. [[1991]]. ''Memoirs of a Dada Drummer.'' Berkeleiae et Angelopoli: University of California Press.
* Huelsenbeck, Richard. [[1991]]. ''Memoirs of a Dada Drummer.'' Berkeleiae et Angelopoli: University of California Press.
*Jones, Dafydd. [[2006]]. ''Dada Culture.'' Novi Eboraci et Amstelodami: Rodopi Verlag.
* Jones, Dafydd. [[2006]]. ''Dada Culture.'' Novi Eboraci et Amstelodami: Rodopi Verlag.
*Lavin, Maud. [[1993]]. ''Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Höch.'' Portu Novo: Yale University Press.
* Lavin, Maud. [[1993]]. ''Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Höch.'' Portu Novo: Yale University Press.
*Lemoine, Serge. ''Dada.'' Lutetiae: Hazan, coll. L'Essentiel.
* Lemoine, Serge. ''Dada.'' Lutetiae: Hazan, coll. L'Essentiel.
*Lista, Giovanni. [[2005]]. ''Dada libertin & libertaire.'' Lutetiae: L'insolite.
* Lista, Giovanni. [[2005]]. ''Dada libertin & libertaire.'' Lutetiae: L'insolite.
*Melzer, Annabelle. [[1976]], [[1994]]. ''Dada and Surrealist Performance.'' Baltimorae et Londinii: PAJ Books, ser. Baltimore and London: The Johns Hopkins University Press. ISBN 0801848458.
* Melzer, Annabelle. [[1976]], [[1994]]. ''Dada and Surrealist Performance.'' Baltimorae et Londinii: PAJ Books, ser. Baltimore and London: The Johns Hopkins University Press. ISBN 0-8018-4845-8.
*Novero, Cecilia. [[2010]]. ''Antidiets of the Avant-Garde: From Futurist Cooking to Eat Art... University of Minnesota Press.
* Novero, Cecilia. [[2010]]. ''Antidiets of the Avant-Garde: From Futurist Cooking to Eat Art... University of Minnesota Press.
*Richter, Hans. [[1965]]. ''Dada: Art and Anti-Art.'' Londinii: Thames and Hudson.
* Richter, Hans. [[1965]]. ''Dada: Art and Anti-Art.'' Londinii: Thames and Hudson.
*Sanouillet, Michel. [[1965]], [[1993]]. [[2005]]. ''Dada à Paris.'' Lutetiae: Jean-Jacques Pauvert. <!--Flammarion, 1993, CNRS, 2005-->
* Sanouillet, Michel. [[1965]], [[1993]]. [[2005]]. ''Dada à Paris.'' Lutetiae: Jean-Jacques Pauvert. <!--Flammarion, 1993, CNRS, 2005-->
*Sanouillet, Michel. [[2009]]. ''Dada in Paris.'' Cantabrigiae Massachusettae: MIT Press.
* Sanouillet, Michel. [[2009]]. ''Dada in Paris.'' Cantabrigiae Massachusettae: MIT Press.
*Schneede, Uwe M. [[1979]]. ''George Grosz, His life and Work.'' Novi Eboraci: Universe Books.
* Schneede, Uwe M. [[1979]]. ''George Grosz, His life and Work.'' Novi Eboraci: Universe Books.
*Verdier, Aurélie. [[2005]]. ''L'ABCdaire de Dada.'' Lutetiae: Flammarion.
* Verdier, Aurélie. [[2005]]. ''L'ABCdaire de Dada.'' Lutetiae: Flammarion.


==Nexus externi==
== Nexus externi ==
*{{CommuniaCat|Dada|Dadam}}
{{CommuniaCat|Dada|Dadam}}
*[http://www.lib.uiowa.edu/dada/ Archivum Dada Internationale,] eee.lib.uiowa.edu
* [http://www.lib.uiowa.edu/dada/ Archivum Dada Internationale,] eee.lib.uiowa.edu
*[http://www.peak.org/~dadaist/Art/index.html Ars Dada,] www.peak.org
* [http://www.peak.org/~dadaist/Art/index.html Ars Dada,] www.peak.org
*[http://www.ossilegium.com/dada/one/ Magazina ''Dada,'' Anglice conversa,] www.ossilegium.com<!--
* [http://www.ossilegium.com/dada/one/ Magazina ''Dada,'' Anglice conversa,] www.ossilegium.com<!--
*{{dmoz|Arts/Art_History/Periods_and_Movements/Dada/|Dada}}
*{{dmoz|Arts/Art_History/Periods_and_Movements/Dada/|Dada}}
*[http://www.britannica.com/EBchecked/topic/149499/Dada Britannica.com]
*[http://www.britannica.com/EBchecked/topic/149499/Dada Britannica.com]
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;Edicta
;Edicta
*[[Wikisource:Dada Manifesto (1916, Hugo Ball)|Text of Hugo Ball's 1916 ''Dada Manifesto'']]
* [[Wikisource:Dada Manifesto (1916, Hugo Ball)|Text of Hugo Ball's 1916 ''Dada Manifesto'']]
*[http://www.391.org/manifestos/19180323tristantzara_dadamanifesto.htm Text of Tristan Tzara's 1918 ''Dada Manifesto'']
* [http://www.391.org/manifestos/19180323tristantzara_dadamanifesto.htm Text of Tristan Tzara's 1918 ''Dada Manifesto'']
*[http://www.english.upenn.edu/~jenglish/English104/tzara.html Excerpts of Tristan Tzara's ''Dada Manifesto'' (1918) and ''Lecture on Dada'' (1922)]
* [http://www.english.upenn.edu/~jenglish/English104/tzara.html Excerpts of Tristan Tzara's ''Dada Manifesto'' (1918) and ''Lecture on Dada'' (1922)]

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Emendatio ex 16:27, 1 Maii 2017

Marcellus Duchamp, Fons, 1917. Photographema Alfredi Stieglitz.
Rrose Sélavy, alter ego Marcelli Duchamp, Dadaistae celeberrimi.
Museum Dada Janco, ex Marcello Janco appellatum, in oppido Ein Hod Israelis.

Dada, sive Dadaismus, fuit motus artis avant-garde Europaei saeculo vicensimo ineunte mromotus. Multi postulant Dadam Turici in Helvetia coepisse anno 1916, unde Berolini mox percrebuit, sed summa Dada Novi Eboraci anno superiore fuit, anno 1915.[1] Apud The Language of Art Knowledge Donae Budd legitur:

Dada ex responso negante horroribus Belli Orbis Terrarum natum est. Hic motus inter civitates a grege artificum et poetarum cum Cabaret Voltaire Turici consociatorum coeptus est. Dada rationem et logicam negavit, nugas, irrationalitatem, et intuitum magni aestimans. Origo nominis Dada non est manifesta; nonnulli credunt id esse vocabulum nugatorium. Alii tenent id ex da, da ('ita, ita' in Dacoromanice significantium) oriri, verbo a Tristano Tzarae et Marcello Janco artificibus Romanianis crebro adhibito. Alia coniectura adfirmat nomen Dada per congressionem gregis factus esse cum culter chartaceus in dictionarium Francicum-Theodiscum insertus ad dada, vocabulum Francicum pro harundine casu indicaret.[2][3]

Motus praecipue se cum artibus oculorum, litteris, poesi, edictis artis, doctrinis artis, theatro, et designatione graphica implicavit, et eius animum civilem contra bellum intendit in obtinentibus artis normis per opera culturalia contra artem reiectis. Dada, praeter bellum reprehensum, contra habitus bourgeois fuit, se in rebus civilibus cum sinistro rerum novarum cupido coniungens.

Novum Eboracum

Sicut Turicum, Novum Eboracum pro refugio fuit scriptorum et artificum bellum Europaeanum fugientium. Marcellus Duchamp et Franciscus Picabia non ita multo postquam a Francia advecti erant, in Man Ray, artificem Americanum inciderunt. Ante 1916, hi tres centrum agitationum extremarum contra artem in Civitatibus Foederatis fuerunt. Beatrice Wood, Americana quae in Francia rebus variis studuerat, se cum eis mox coniunxit; pariter Elsa von Freytag-Loringhoven. Arthurus Cravan, conscriptionem militarem in Francia fugens, ad tempus aderat. Multum eorum agitationis in 291, pinacotheca Alfredi Stieglitz, et in domu Gualterii et Ludovicae Arensberg nisum est.

Poesis, musica, sonus

Dada magnum non solum apud artes oculorum et litterarum potuit, sed se in sonos et musicam extendit. Curtius Schwitters poemata excogitavit quae poemata sonorum appellavit, cum Franciscus Picabia et Georgius Ribemont-Dessaignes musicam Dada componerent, quae in Festo Dada, Lutetiae die 26 Maii 1920 habito, peracta est. Erwinus Schulhoff, Ioannes Heusser, Albertus Savinio, aliisque compositores musicam Dada appellatam fecerunt, cum Sexviri notissimi, participibus motus Dada adiuvantibus, vicissim facerent ut sua opera in conventibus Dada peragerentur. Praeterea, Ericus Satie notiones Dada per suum curriculum leviter attigit, sed se cum impressionismo musico praecipue consociavit.

In prima re Dada edita, Hugo Ball "orchestram balalaikarum" descripsit quae "suavia carmina vulgaria psallerat." Musica Africana et iaz in conventibus Dada saepe audita sunt, reditum ad naturam et primitivismum simplicem significantia.

Nexus interni

Notae

  1. ↑ Mario de Micheli, Las vanguardias artísticas del siglo XX (Alianza Forma, 2006), 135–137.
  2. ↑ Anglice: "Dada was born out of negative reaction to the horrors of World War I. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zurich. Dada rejected reason and logic, prizing nonsense, irrationality and intuition. The origin of the name Dada is unclear; some believe that it is a nonsensical word. Others maintain that it originates from the Romanian artists Tristan Tzara's and Marcel Janco's frequent use of the words "da, da," meaning "yes, yes" in the Romanian language. Another theory says that the name "Dada" came during a meeting of the group when a paper knife stuck into a French-German dictionary happened to point to 'dada', a French word for 'hobbyhorse'.
  3. ↑ Dona Budd, The Language of Art Knowledge (Pomegranate Communications, Inc.).

Bibliographia

  • Archives Dada / Chronique. 2005. Lutetiae: Hazan.
  • Ball, Hugo. 1996. Flight Out Of Time. Berkeleiae et Angelopoli: University of California Press.
  • Jones, Dafydd. 2014. Dada 1916 in Theory: Practices of Critical Resistance. Liverpool: Liverpool University Press. ISBN 978-1-78138-020-8.
  • Biro, M. 2009. The Dada Cyborg: Visions of the New Human in Weimar Berlin. Minneapoli: University of Minnesota Press. ISBN 0-8166-3620-6.
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  • Dada, la révolte de l'art. 2005. Lutetiae: Gallimard / Centre Pompidou, Découvertes Gallimard n° 476.
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  • Durozoi, Gérard. 2005. Dada et les arts rebelles. Lutetiae: Hazan, Guide des Arts.
  • Gammel, Irene. 2002. Baroness Elsa: Gender, Dada and Everyday Modernity. Cantabrigiae Massachusettae: MIT Press.
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  • Lavin, Maud. 1993. Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Höch. Portu Novo: Yale University Press.
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  • Lista, Giovanni. 2005. Dada libertin & libertaire. Lutetiae: L'insolite.
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  • Richter, Hans. 1965. Dada: Art and Anti-Art. Londinii: Thames and Hudson.
  • Sanouillet, Michel. 1965, 1993. 2005. Dada à Paris. Lutetiae: Jean-Jacques Pauvert.
  • Sanouillet, Michel. 2009. Dada in Paris. Cantabrigiae Massachusettae: MIT Press.
  • Schneede, Uwe M. 1979. George Grosz, His life and Work. Novi Eboraci: Universe Books.
  • Verdier, Aurélie. 2005. L'ABCdaire de Dada. Lutetiae: Flammarion.

Nexus externi

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