Fictio gothica

The Castle of Otranto (1764) late habetur prima mythistoria gothica. Aesthetica huius libri hodiernos litteras, artem, musicam, et subculturam gothicam moverunt.

Fictio gothica, plerumque horror gothicus nota, est genus vel modus litterarum et cinematographiae qui fictionem et horrorem, mortem, atque aliquando amorem miscet. Eius origo Horatio Walpole, auctori Anglico, tributa est, praecipue ob The Castle of Otranto (Castellum Otranto), eius mythistoriam anni 1764, cuius subtitulus in editione secunda est A Gothic Story (Fabula gothica).

Roberti Ludovici Stevenson Strange Case of Dr Jekyll and Mr Hyde (1886) fuit classicum annorum 1880 opus gothicum, cui sunt multae commodationes scaenicae.

Viy, dominus inferorum, e fabula eiusdem nominis a Gogol scripta.

Frankenstein; or, the Modern Prometheus Mariae Shelley (1818) fictionem tempore romantico definivit. Frontispicium editionis 1831.

Tegmen editionis Varney the Vampire (1845).

Ruinae amoenae et excitatae in litteris gothicis sunt thema usitatum. Hic habes ruinas Castelli Kenilworthiani.

Effectus fictionis gothicae grato terroris genere utitur, quod est amplificatio voluptatum Romanticarum quae novae erant tempore mythistoriae Walpolianae, atque in Anglia altero dimidio saeculi duodevicensimi, post Walpole, orta est. Ulterius exculta est a Clara Reeve, Anna Radcliffe, Gulielmo Thoma Beckford, et Matthaeo Lewis. Genus saeculo undevicensimo vigebat, insigniter in Frankenstein Mariae Shelley et in operibus Edgari Allen Poe. Aliud huius generis opus nobile, ex aevo Victoriano exeunte, est Dracula, mythistoria Abrahami Stoker Eblanensis.

Nomen gothicus aedificia pseudomediaevalia attinet, architecturam gothicam aemulans, ubi multae ex his fabulis fiunt. Hoc genus romanticismi populis Anglico Germanicoque gratissimum erat. Anglicae quidem mythistoriae gothicae nova litterarum genera, sicut Schauerroman Germanicum et Georgia Francicum, moverunt.

Nexus interni

• Ars Gothica
• Catharina Blixen
• Cinematographia gothica
• Jane Eyre
• Le Fantôme de l'Opéra
• Notre-Dame de Paris (mythistoria)
• Rebecca (mythistoria)
• The Turn of the Screw
• Wuthering Heights
• Mythistoria gothica

Bibliographia

• Baddeley, Gavin. 2002. Goth Chic. Londinii: Plexus. ISBN 9780859653824.
• Baldick, Chris. 1993. Introduction. In The Oxford Book of Gothic Tales. Oxoniae: Oxford University Press.
• Birkhead, Edith. 1921. The Tale of Terror.
• Bloom, Clive. 2007. Gothic Horror: A Guide for Students and Readers. Basingstoke: Palgrave Macmillan.
• Botting, Fred. 1996. Gothic. Londinii: Routledge.
• Brown, Marshall. 2005. The Gothic Text. Stanfordiae: Stanford University Press.
• Butuzov, A. E. 2008. Russkaya goticheskaya povest XIX Veka.
• Charnes, Linda. 2010. Shakespeare and the Gothic Strain. 38: 185.
• Clery, E. J. 1995. The Rise of Supernatural Fiction. Cantabrigiae: Cambridge University Press.
• Cornwell, Neil. 1999. The Gothic-Fantastic in Nineteenth-Century Russian Literature. Studies in Slavic Literature and Poetics, 33. Amsteodami et Atlantae: Rodopi.
• Cook, Judith. 1980. Women in Shakespeare. Londinii: Harrap & Co. Ltd.
• Cusack A., et Barry M. 2012. Popular Revenants: The German Gothic and Its International Reception, 1800–2000. Camden House.
• Davenport-Hines, Richard. 1998. Gothic: 400 Years of Excess, Horror, Evil and Ruin. Londinii: Fourth Estate.
• Davison, Carol Margaret. 2009. Gothic Literature 1764–1824. Cardiff: University of Wales Press.
• Drakakis, John & Dale Townshend. 2008. Gothic Shakespeares. Novi Eboraci: Routledge.
• Eagleton, Terry. 1995. Heathcliff and the Great Hunger. Novi Eboraci: Verso.
• Fuchs, Barbara. 2004. Romance. Londinii: Routledge.
• Gamer, Michael. 2006. Romanticism and the Gothic: Genre, Reception and Canon Formation. Cantabrigiae: Cambridge University Press.
• Gibbons, Luke. 2004. Gaelic Gothic. Galway: Arlen House.
• Gilbert, Sandra, et Susan Gubar. 1979. The Madwoman in the Attic. ISBN 0300084587.
• Goulart, Ron. 1986. The Pulps. In The Penguin Encyclopedia of Horror and the Supernatural, ed. Jack Sullivan, 337–340.
• Grigorescu, George. 2007. Long Journey Inside The Flesh. Bucharest, Romania. ISBN 9780805984682.
• Hadji, Robert. 1986. Jean Ray. In The Penguin Encyclopedia of Horror and the Supernatural, ed. Jack Sullivan.
• Haggerty, George. 2006. Queer Gothic. Urbanae Illinoesiae: Illinois University Press.
• Halberstam, Judith. 1995. Skin Shows. Dunelmi Carolinae Septentrionalis: Duke University Press.
• Hogle, J. E. 2002. The Cambridge Companion to Gothic Fiction. Cantabrigiae: Cambridge University Press
• Horner, Avril. 2002. European Gothic: A Spirited Exchange 1760–1960. Mancunii et Novi Eboraci: Manchester University Press.
• Horner, Avril, et Sue Zlosnik. 2005 Gothic and the Comic Turn. Basingstoke: Palgrave Macmillan.
• Hughes, William. 2012. Historical Dictionary of Gothic Literature. Scarecrow Press.
• Jackson, Rosemary. 1981. Fantasy: The Literature of Subversion.
• Kilgour, Maggie. 1995. The Rise of the Gothic Novel. Londinii: Routledge.
• Klein, Jürgen. 1975. Der Gotische Roman und die Ästhetik des Bösen. Darmstadt: Wissenschaftliche Buchgesellschaft.
• Klein, Jürgen, et Gunda Kuttler. 2011. Mathematik des Begehrens. Hamburgi: Shoebox House Verlag.
• Korovin, Valentin I. 1988. Fantasticheskii mir russkoi romanticheskoi povesti.
• Medina, Antoinette. 2007. A Vampires Vedas.
• Mighall, Robert. 2003. A Geography of Victorian Gothic Fiction: Mapping History's Nightmares. Oxoniae: Oxford University Press.
• Mighall, Robert. 2007. Gothic Cities. In The Routledge Companion to Gothic, ed. C. Spooner et E. McEvoy, 54–72. Londinii: Routledge.
• O'Connell, Lisa. 2010. The Theo-political Origins of the English Marriage Plot. Novel: A Forum on Fiction 43(1): 31–37.
• Peterson, Dale. 1987. The Slavic and East European Journal 31(1): 36–49.
• Punter, David. 1996. The Literature of Terror. 2 vol. Londinii: Longman.
• Punter, David. 2004. The Gothic. Londinii: Wiley-Blackwell.
• Sabor, Peter, et Paul Yachnin. 2008. Shakespeare and the Eighteenth Century. Ashgate Publishing.
• Salter, David. 2009. This demon in the garb of a monk: Shakespeare, the Gothic and the discourse of anti-Catholicism. 5(1): 52–67.
• Sedgwick, Eve Kosofsky. 1986. The Coherence of Gothic Conventions. Novi Eboraci: Methuen.
• Shakespeare, William. 1997. The Riverside Shakespeare. Ed. 2a. Bostoniae et Novi Eboraci: Houghton Mifflin Co.
• Simpson, Mark S. 1986. The Russian Gothic Novel and its British Antecedents. Slavica Publishers.
• Skarda, Patricia L., et Norma Crow Jaffe. 1981. Evil Image: Two Centuries of Gothic Short Fiction and Poetry. Novi Eboraci: Meridian.
• Skarda, Patricia. 1986. Gothic Parodies. In The Penguin Encyclopedia of Horror and the Supernatural, ed. Jack Sullivan, 178-179.
• Skarda, Patricia. 1986b. Oates, Joyce Carol. In The Penguin Encyclopedia of Horror and the Supernatural, ed. Jack Sullivanm, 303–304.
• Stevens, David. 2000. The Gothic Tradition. Cantabrigiae et Novi Eboraci: Cammbridge University Press. ISBN 0521777321.
• Sullivan, Jack, ed. 1986. The Penguin Encyclopedia of Horror and the Supernatural.
• Summers, Montague. 1938 The Gothic Quest.
• Townshend, Dale. 2007. The Orders of Gothic.
• Varma, Devendra. 1957. The Gothic Flame.
• Varma, Devendra. 1986. Maturin, Charles Robert. In The Penguin Encyclopedia of Horror and the Supernatural, ed. Jack Sullivan, 285–286.
• Wisker, Gina. 2005. Horror Fiction: An Introduction. Novi Eboraci: Continuum.
• Wright, Angela. 2007. Gothic Fiction. Basingstoke: Palgrave.

Nexus externi

• Gothic Fiction at the British Library
• Key motifs in Gothic Fiction – a British Library film
• Gothic Fiction Bookshelf at Project Gutenberg
• Irish Journal of Gothic and Horror Studies
• Gothic Author Biographies
• The Gothic Imagination