Summarium

Laurentius Alma-Tadema: Phidias protypos Parthenonis amicis suis monstrans
Artifex	Laurentius Alma-Tadema  (1836–1912)      Alia nomina Lawrence Alma Tadema, Lourens Alma Tadema, Laurens Alma Tadema Descriptio Dutch-British painter, drawer, etcher et illustrator Dies natalis/mortis 8 Ianuarius 1836  25 Iunius 1912  Locus natalis/mortis Dronryp Aquae Mattiacae Work period 1851-1912 Work location Antverpia (1852-1865), Leovardia (1855), Colonia Agrippina (1861), Pompeii (1863-1864), Lutetia (1864), Bruxellae (1865-1870), Londinium (1868, 1870-1912), Egypt (1902-1903) Authority file : Q240526 VIAF: 68986036 ISNI: 0000000081483905 ULAN: 500008100 Open Library: OL5558878A DBNL: alma001 WorldCat creator QS:P170,Q240526
Titulus	Anglica: Pheidias and the Frieze of the Parthenon  Phidias protypos Parthenonis amicis suis monstrans title QS:P1476,en:"Pheidias and the Frieze of the Parthenon " label QS:Len,"Pheidias and the Frieze of the Parthenon " label QS:Lfr,"Phidias montrant la frise du Parthénon à un ami" label QS:Lla,"Phidias protypos Parthenonis amicis suis monstrans"
Object type	tabula picta
Genus	history painting
Depicted people	Phidias
Datum	1868
Medium	oil on canvas
Dimensions	Altitudo: 72 cm ; Latitudo: 110.5 cm  dimensions QS:P2048,+72U174728 dimensions QS:P2049,+110.5U174728
Collectus	Birmingham Museums Trust    Location Birminghamia , Britanniarum Regnum Coordinates 52° 28′ 48.18″ N, 1° 54′ 12.87″ W   Situs interretialis www.birminghammuseums.org.uk  Authority file : Q4916759 VIAF: 316390754 LCCN: nb2015009910 WorldCat institution QS:P195,Q4916759
Current location	Birmingham Museums Trust
Accession number	1923P118 (Birmingham Museums Trust)
Notae	English: Painting shows at left the North frieze slab XLVII and the West frieze Slabs I and up visible at right in the Parthenon.[1] Among the spectators, critics have identified Pericles, the bearded man facing Phidias. Next to him is his mistress, Aspasia. In the foreground stands a youth, Alcibiades, with his lover, Socrates.[2][3][4] The painting is currently housed (2021) in the Birmingham Museum and Art Gallery.
References	https://www.birminghammuseums.org.uk/explore-art/items/1923P118/pheidias-and-the-frieze-of-the-parthenon  Art UK artwork ID: pheidias-and-the-frieze-of-the-parthenon-33742
Source/Photographer	Birmingham Museums
Other versions	This file has an extracted image: 1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends (cropped).jpg. Detail, Socrates and Alcibiades

Potestas usoris

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason: Public domainPublic domainfalsefalse This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

References

1. ↑ See Parthenon Frieze Slabs at [1] Last accessed 07-Apr-2007
2. ↑ "[S]undry prominent Athenians, including Perikles with Aspasia, and Socrates with young Alcibiades, perambulate the scaffolding . . ." Nigel Spivey, Understanding Greek Sculpture, p.152
3. ↑ "he introduces us to Phidias showing the frieze of the Parthenon to Pericles, Alcibiades, and Aspasia;" in SCRIBNERS MAGAZINE, DECEMBER 1895, LAURENS ALMA-TADEMA, R.A. By Cosmo Monkhouse; p.670 Photo of page in the Cornell Library
4. ↑ "Little is actually known of the life of Phidias, but Alma-Tadema's picture easily convinces us that thus the great sculptor displayed to his friends and patrons his completed handiwork. Phidias himself, standing within the rope barrier, seems to await the favorable verdict of his illustrious protector, Pericles, who confronts him and has at his side the beautiful Aspasia. The young man at the extreme left seems meant for Alcibiades, who has also accepted an invitation to this private view of the frieze of the Parthenon, seen not as we now behold it in the British Museum, but with its match-less figures glowing with the tints just laid upon it by Phidias and his fellow-workers." in Among the Great Masters of Painting: Scenes in the Lives of Famous Painters; Walter Rowlands p.2

Socrates

Alcibiades

Pericles

Aspasia