Ethnofictio
Ethnofictio neologismus ad docufictionem ethnographicam spectat, mixtio pelliculae documentariae et fictionalis in disciplina anthropologiae oculorum. Quae est genus pelliculae in quo, per narrationem fictionalem vel cogitationem creativam, saepe ex tempore factam, personae depictae suas partes proprias ut socii gregis ethnici vel socialis agunt.
Ioannes Rouch pater ethnofictionis putatur.[1] Apud Rouch, ethnologus, pelliculam faciens, mox invenit se interponere in eventum quem pelliculat, suam machinam photographicam quoque "camera candida" numquam esse.[2] Mores hominum depictorum coram se tangentur. Pro Rouch, contra principia Marcelli Griaule,[3][4][5][6] sui consiliarii, machina photographica eventus puros pelliculans in investigationibus ethnographicis (sicut ritus pelliculatus sine "intercessione" camerae) est "praenotio" ab usu negata.[7][8][9][10][11]
Ethnographus qui photomachinulam fert us socius naturalis ab histrionibus qui suarum partes agunt inter eorum numeros accipietur. Qui erit unus ex eis, fortasse adeo rhythmo saltatorum in celebratione rituali elatus, in statum stuporis cinematographici inductus.[12][13] Ioannes Rouch, decessoress excedens, histrionem facit instrumentum investigationis.[14] Robertus J. Flaherty, praecipuu caput pro Rouch, avus huius generis putari potest, quamquam solum fuit fabricator documentariorum, non ethnographus.
Vocabulum ethnofictio, plerumque ad spectanda pelliculas ethnographicas ut res anthropologiae oculorum adhibitum, documentaria usu comparata ante et post opera Rouchiana spectare potest, atque ad ullam fictionis creationem in communicatione humana, artibus, et litteris cui ortus ethnographicus vel socialis erit.
Chronologia[recensere | fontem recensere]
1921-1930[recensere | fontem recensere]
- 1926 – Moana, Robertus Flaherty, Civitates Foederatae
- 1930 – Maria do Mar, Iosephus Leitão de Barros, Portugallia
1931--1940[recensere | fontem recensere]
- 1932 – L'or des mers, Ioannes Epstein, Francia
- 1933 - Las Hurdes: Tierra Sin Pan, Ludovicus Buñuel, Hispania
- 1934 – Man of Aran, Robertus Flaherty, Britanniarum Regnum
- 1936 – Tabu, Robertus Flaherty (scriptor) et F. W. Murnau (moderator), Civitates Foederatae
1941-1950[recensere | fontem recensere]
- 1942 – Ala-Arriba! (pellicula), Iosephus Leitão de Barros. Portugallia
- 1948 – Louisiana Story, Robertus Flaherty, Civitates Foederatae
1951-1960[recensere | fontem recensere]
- 1955 - Les maîtres fous, Ioannes Rouch. Francia
- 1958 – Moi, un noir, Ioannes Rouch, Francia
1961-1970[recensere | fontem recensere]
- 1961 – La pyramide humaine, Ioannes Rouch, Francia
- 1962 – Acto da Primavera, Emanuel de Oliveira. Portugallia
- 1963 – Pour la suite du monde, Petrus Perrault et Michael Brault, Canada
- 1967 - Jaguar (pellicula), Ioannes Rouch, Francia
1971-1980[recensere | fontem recensere]
- 1976 – People from Praia da Vieira, Antonius Campos, Portugallia
- 1976 – Changing Tides, Ricardus Costa, Portugallia
- 1976 – Trás-os-Montes, Antonius Reis et Margarita Cordeiro, Portugallia
- 1979 – Bread and Wine, Ricardus Costa, Portugallia
1981-1990[recensere | fontem recensere]
- 1988 – Mortu Nega, Flora Gomes, Guinea Bissavia
1991-2000[recensere | fontem recensere]
- 2000 – No Quarto da Vanda, Petrus Costa
- 2003 – Terra Longe, Daniel E. Thorbecke
- 2006 – Colossal Youth, Petrus Costa
- 2007 – Transfiction, Ioannes Sjöberg
Tempora recentiora[recensere | fontem recensere]
- 2011 - Toomelah, Ioannes Sen
Notae[recensere | fontem recensere]
- ↑ Glossarium, www.maitres-fous.net.
- ↑ Genera machinarum photographicarum, definitio in UCLA.
- ↑ Sybil Amber, Marcel Griaule (1898–1956), articles.cybilamber.com.
- ↑ From Pictorializing to Visual Anthropology1, elnil.org (capitulum in Handbook of Methods in Cultural Anthropology).
- ↑ Ted Nannicelli, "From Representation to Evocation: Tracing a Progression in Jean Rouch's Les magiciens de Wanzerbé, Les maîtres fous, and Jaguar," www.tandfonline.com (Taylor & Francis Group).
- ↑ Gaetano Ciarcia, L'ethnofiction a l'oeuvre: Prisme et images de l'entité dogon, alor.univ-montp3.fr (Université Montpellier III).
- ↑ Anglice: "a pre-concept denied by practice."
- ↑ Father of 'cinema verite' dies, BBC news.
- ↑ Ben Michaels, Biographies: Jean Rouch, Indiana University.
- ↑ Paul Stoller, A Tribute to Jean Rouch, Rouge.
- ↑ Sarah Cooper, Knowing Images: Jean Rouch’s Ethnography, capitulum in monographo Selfless Cinema?: Ethics and French Documentary (Oxoniae: Legenda, 2006), maitres-fous.net.
- ↑ Cine-trance.
- ↑ "Cine-trance: a tribute to Jean Rouch" (Visual Anthropology, American Anthropologist).
- ↑ Brian Quist, "Jean Rouch and the Genesis of Ethnofiction," thesis, Long Island University.
Nexus interni
Bibliographia[recensere | fontem recensere]
- Augé, Marc. The War of Dreams: Exercises in Ethno-Fiction, books.google.com
- Ciarcia, Gaetano. L’ETHNOFICTION A L'ŒUVRE: prisme et images de l'entité dogon, alor.univ-montp3.fr (Université Montpellier III)
- Ethnofiction, www.methods.manchester.ac.uk (University of Manchester)
- Ethnic Portraits and Ethnofiction, http://mubi.com
- Paganini, Andrea. Rouch & Cie. - un quintette, www.doc.ubi.pt (École des Hautes Études en Sciences Sociales)
- Sjöberg, Johannes. Ethnofiction and Beyond: The Legacy of Projective Improvisation in Ethnographic Filmmaking,[nexus deficit] www.comite-film-ethno.net
Nexus externi[recensere | fontem recensere]
- Ethnofiction, www.methods.manchester.ac.uk
- Ethnofiction and the Work of Jean Rouch, ukvisualanthropology.com
- Consider ethnofiction, www.tandfonline.com?