Pellicula documentaria

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Machina photographica 16 mm spring-wound Bolex "H16" Reflex est camera popularis prima, in scholis pellicularum aliquando adhibita.
In hac imagine, ex pellicula Man with the Movie Camera, Michael Kaufman partes hominis machinae photographicae agit qui vitam in opericulum adducit, optimum conspectum petentem.

Pellicula documentaria est pellicula non fictionalis quae ad conservandos certos realitatis aspectus designatur, imprimis ad eo consilio ut discipuli erudiantur vel tabulae historicae conserventur.[1] Tales pelliculae primum in film stock capi solebant (in solo medio olim in usu), sed ratio pellicularum faciendarum nunc video et productiones digitales comprehendit, quae recte-ad-video, in spectaculum televisificum factum, vel pro exhibitione in cinemateis emissae possunt. Vocabulum documentarium describi potest "tractatio pellicularum factarum, traditio cinematica, et modus receptionis spectatorum" qui se constanter evolvit, finibus claris carens.[2]

Definitio documentarii[recensere | fontem recensere]

Documentary, vocabulum Anglicum ('documentarium' significans), primum pelliculis huius generis adhibitum est in recognitione pelliculae Moanae Roberti J. Flaherty, a "The Moviegoer" scripta, nomine calami Ioannis Grierson, in diario New York Sun die 8 Februarii 1926.[3][4]

Vide etiam[recensere | fontem recensere]

Commentarii
Exempla

Notae[recensere | fontem recensere]

  1. oed.com
  2. Bill Nichols, "Foreword," in Documenting The Documentary: Close Readings of Documentary Film and Video, ed. Barry Keith Grant et Jeannette Sloniowski (Detroiti: Wayne State University Press, 1997).
  3. Jonathan Rosenbaum, Review of Moana..
  4. Ann Curthoys et Marilyn Lake, Connected Worlds: History in Transnational Perspective. (Australian National University Press, 2004), p. 151.

Bibliographia[recensere | fontem recensere]

Generalia[recensere | fontem recensere]

  • Rotha, Paul. Documentary diary; An Informal History of the British Documentary Film, 1928–1939. New York: Hill and Wang, 1973. ISBN 9780809039333.
  • Saunders, Dave. Direct Cinema: Observational Documentary and the Politics of the Sixties. London: Wallflower Press, 2007. ISBN 9781905674169, ISBN 9781905674152.
  • Saunders, Dave. Documentary: The Routledge Film Guidebook. Londinii: Routledge, 2010.
  • Tobias, Michael. The Search for Reality – the Art of Documentary Filmmaking. Studio City, CA: Michael Wiese Productions 1997. ISBN 0941188620.
  • Walker, Janet, and Diane Waldeman, eds. 1999. Feminism and Documentary. Minneapoli: University of Minnesota Press. ISBN 9780816630066, ISBN 9780816630073.
  • Wyver, John. The Moving Image: An International History of Film, Television & Radio. Oxford: Basil Blackwell Ltd. in association with the British Film Institute, 1989. ISBN 9780631155294.
  • Murdoch.edu

Pellicula ethnographica[recensere | fontem recensere]

  • Brigard Emilie de. 1995. The History of Ethnographic Film. In Principles of Visual Anthropology, ed. Paul Hockings, 13–43. Berolini et Novi Eboraci: Mouton de Gruyter.
  • Devereaux, Leslie. 1995. Cultures, Disciplines, Cinemas. In Fields of Vision. Essays in Film Studies, Visual Anthropology and Photography, ed. Leslie Devereaux et Roger Hillman, 329–339. Berkeleiae: University of California Press.
  • Ginsburg, Faye, Lila Abu-Lughod, et Brian Larkin, eds. 2002. Media Worlds: Anthropology on New Terrain. Berkeleiae Californiae: University of California Press. ISBN 9780520232310.
  • Grimshaw, Anna. 2001. The Ethnographer's Eye: Ways of Seeing in Modern Anthropology. Cantabrigiae: Cambridge University Press. ISBN 9780521773102.
  • Heider, Karl G. Ethnographic Film. Austin: University of Texas Press, 1994.
  • de Heusch, Luc. Cinéma et Sciences Sociales, Paris: UNESCO, 1962. Published in English as The Cinema and Social Science. A Survey of Ethnographic and Sociological Films. UNESCO, 1962.
  • Jameson, Fredric. 1990. Signatures of the Visible. Novi Eboraci et Londinii: Routledge.
  • Jordan, Pierre-L. 1992. Premier Contact-Premier Regard, Marseille: Musées de Marseille. Images en Manoeuvres Editions.
  • Leroi-Gourhan, André. "Cinéma et Sciences Humaines. Le Film Ethnologique Existe-t-il?," Revue de Géographie Humaine et d'Ethnologie 3 (1948), 42–50.
  • MacDougall, David. 1992. Whose Story Is It? In Ethnographic Film Aesthetics and Narrative Traditions, ed. Peter I. Crawford et Jan K. Simonsen, 25–42. Aarhus: Intervention Press.
  • MacDougall, David. 1998. Transcultural Cinema. Princetoniae: Princeton University Press. ISBN 9780691012346.
  • Rony, Fatimah Robing. 1996. The Third Eye: Race, Cinema and Ethnographic Spectacle. Durham Carolinae Septentrionalis: Duke University Press. ISBN 9780822318408.
  • Sadoul, Georges. 1977. Histoire Générale du Cinéma. Vol. 1, L'Invention du Cinéma 1832–1897. Lutetiae: Denöel.
  • Sorlin, Pierre. 1977. Sociologie du Cinéma. Lutetiae: Aubier Montaigne.
  • Warren, Charles. 1996. Introduction, with a Brief History of Nonfiction Film. In Beyond Document: Essays on Nonfiction Film, ed. Charles Warren, 1–22. Hanoveriae et Londinii: Wesleyan University Press
  • Xavier, Ismail. 1993. Cinema: Revelação e Engano. In O Olhar, ed. Adauto Novaes, 367–384. São Paulo: Companhia das Letras.

Nexus externi[recensere | fontem recensere]

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