Fasciculus:William-Adolphe Bouguereau (1825-1905) - Thirst (1886).jpg

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Summarium

Gulielmus Adolphus Bouguereau: Thirst  wikidata:Q48311741 reasonator:Q48311741
Artifex
Gulielmus Adolphus Bouguereau  (1825–1905)  wikidata:Q483992 q:en:William-Adolphe Bouguereau
 
Gulielmus Adolphus Bouguereau
Alia nomina
William Bouguereau
Adolphe-William Bouguereau
Descriptio French pictor
Dies natalis/mortis 30 November 1825 Edit this at Wikidata 19 Augustus 1905 Edit this at Wikidata
Locus natalis/mortis Rupella Rupella
Work location
Lutetia; Roma Edit this at Wikidata
Authority file
artist QS:P170,Q483992
image of artwork listed in title parameter on this page
Titulus
Thirst
Object type tabula picta
object_type QS:P31,Q3305213
Genus portrait Edit this at Wikidata
Datum 1886
date QS:P571,+1886-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions Altitudo: 132 cm; Latitudo: 102 cm
dimensions QS:P2048,132U174728
dimensions QS:P2049,102U174728
Unknown galleryUnknown gallery
Notae
English: The piece of pottery that appears in this painting by Bouguereau, is not exactly a botijo. It's a typical piece in the "pottery of water" in the North of Spain and South of France, of possible origin franco (old tribal french) as "the càntir, the doll and the mamet" introduced by the restocking of the Marca Hispanica in the Catalunya Vella. Named pegar in euskera lenguage and pegà in gascón lenguage. Also produced in the Basque country, as a vessel of the same family as the "Biscay pitcher" (Basque: "pegarra, pedarra or kantarue"), higher than this and used for drinking during the agricultural tasks. The correct designation today (2012) would be pitcher in Spanish and was cruche a eau in French. Documentation and references: Natacha Seseña and Emili Sempere. See also the file: Pegar.jpg
Español: La pieza de alfarería que aparece en este cuadro de Bouguereau, NO ES EXACTAMENTE UN BOTIJO. Se trata de una pieza típica en la alfarería de agua del norte de España y del sur de Francia, de posible origen franco, como el càntir, el doll y el mamet introducidos en la Catalunya Vella por los repobladores de la Marca Hispánica. LLamado pegar en eukera y pegà en gascón. También se fabricó en el País Vasco, como vasija de la misma familia que el cántaro vizcaíno (en euskera: pegarra, pedarra o kantarue), más alta que ésta y usada para beber durante las faenas agrícolas. La denominación correcta hoy (2012) sería CÁNTARO en español y CRUCHE A EAU en francés. Documentación y referencias: Natacha Seseña y Emili Sempere. Ver también el Archivo: Pegar.jpg
Français : Le morceau de poterie qui apparaît dans cette peinture de Bouguereau, ce n'est pas exactement un botijo. C'est un piece typique de la "poterie d'eau » dans l'Espagne du Nord et au sud de la France, d'origine possible franc (ancien tribes) comme « le càntir, le doll et le mamet » introduit par la reconstitution des stocks de la Marca Hispanica dans la Vella de Catalunya. Apelé pegar au eukera y pegà en gascón. Également produite dans le pays Basque, un navire de la même famille que le «cruche du Vizcaya» (Basque: « pegarra, pedarra ou kantarue »), plus élevé que cela et utilisé pour boire pendant les tâches agricoles. Aujourd'hui la désignation correcte (2012) serait le lanceur en espagnol et était cruche a eau en français. Documentation et références : Natacha Seseña et Emili Sempere. Voir aussi le fichier: Pegar.jpg
References William Bouguereau: His Life and Works, 1886/12 Edit this at Wikidata
Source/Photographer Unknown sourceUnknown source

Potestas usoris

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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